Seattle and the Eastside
We script the ads. We film them. We run them.
Most agencies outsource the filming. Most videographers hand you a file and wish you luck. Scripting, production and media buying sit with one team here, so the people writing the hooks are the people holding the camera.
30 minutes, no commitment. We will tell you straight if paid social is wrong for your business.
Ads we wrote, filmed and are running.
Every one of these was shot by us on the client's site and cut for the feed. Tap any of them to watch with sound.
0:42
A run of ads off one afternoon of filming, each opening on a different line.
0:27
Owner on camera in the shop, cut for the feed.
0:32
Finished work carrying the offer, no stock footage.
0:06
Short brand reel for a stand that sells on impulse.
0:26
A price-led ad built to be swapped when the offer changes.
0:37
Same shoot day as the kitchen ad, different offer.
“Jonathans Ads are crushing it at $44 / Lead. Great Job guys”
Val, the marketing partner running the campaign · 6 September 2026
Those are the real numbers from the ad account, not a rounded highlight. It is an early read on a small spend, and we would rather show you the whole row than a number with no denominator. We do not promise you the same cost per lead. What we will do is show you this level of detail on your own account, every month.
What you are actually buying.
Three jobs that usually sit with three different vendors, handled by one team that talks to itself.
Scripting
Hooks written for a thumb, not for a brochure. We write several openings against one body so a single shoot yields a run of ads, and we can swap the hook when one tires without going back on location.
Production
We film it ourselves, on your site, on cinema cameras. No stock, no borrowed crew, no footage that looks like every other ad in the feed. Your raw footage lands in the portal within 24 hours of the shoot.
Management
Campaign build, audiences, budget and the weekly decisions about what to cut and what to scale. You get the ad account numbers the way you saw them above, with the spend next to the result.
Straight talk before you book
- We do not guarantee a lead count. Anyone who does is guessing with your money, and the number they pick is chosen to close you.
- Paid social needs a business that can answer the phone. If leads sit for two days, no creative fixes that, and we will say so on the call.
- Creative is the biggest lever in a Meta account, which is the whole reason we film it ourselves rather than hand a media buyer someone else's footage.
- We report the spend next to the result. If an ad is not working you will hear it from us first.
What the call actually is.
Booking something vague is its own reason not to book. So here is the whole thing.
You bring
- What you sell, and who buys it most often.
- Anything you have already tried, including what flopped.
- Roughly what you can put behind ads in a month.
You leave with
- What we would film, and the hooks we would open on.
- What that would cost, quoted on the call rather than chased afterwards.
- A straight answer on whether paid social suits your business.
Thirty minutes. You keep the plan whether or not you hire us, and if we think this is wrong for you we will say so on the call rather than sell you a retainer.
The questions we actually get asked.
Taken from what clients have asked us, not from a list of imagined worries.
How long until the ads are done?
Edited ads land in one to two weeks. Which end of that you get depends on what is in the queue when you book, and you are told the date on the call rather than left to estimate it. Your raw footage is separate and always faster: it is in the portal within 24 hours of the shoot, whatever stage the edit is at. If a date is going to move you hear it from us first rather than after you ask, because chasing an editor is the thing clients raise with us most.
What if the ads do not perform?
We change the hook before we change anything else, which is why one shoot day is filmed to yield a run of openings rather than one finished ad. Swapping the first three seconds costs nothing and does not need you back on camera. If the offer itself is the problem we will tell you that instead of quietly reshooting.
What does it cost?
The production half has a published price: three ad variations cut for Meta and YouTube start at $1,300, raw footage included. Running them is the part with no list price, because it scales with what you spend and how often the creative gets refreshed. You get a real figure for that on the call, not a range. Your ad spend goes to Meta directly and never passes through us.
Do you guarantee a number of leads?
No. Anyone who does is guessing with your money, and the number they pick is chosen to close you rather than to be true. What we commit to is showing you the spend next to the result every month, at the level of detail you can see further up this page.
Are we too small for this?
The work above was made for a fencing contractor, a detailer, a remodeler and a drive-through espresso stand. None of them is a national brand. The real constraint is not your size, it is whether someone answers the phone when a lead comes in, and we will ask you about that on the call.
What clients say.
Rated 5.0 across 38 Google reviews.
Book a free 30-minute strategy call.
Bring your offer and what you have tried. We will tell you what we would film, what we would run it against, and whether we think it is worth your money. If it is not, we will say that instead of selling you a retainer.
Pick a time that suits you